Each of these images tells not what is depicted, but what is around, above and below, behind and to the side, before and after. They are like markers of impressions now lost, surfaces that refer to situations that have already happened.

In other words, these images are like openings that allow one to look at things, objects, circumstances that have appeared for a moment in front of my camera, almost as if to barely signal their presence. Material in transformation where the past merges into the present and of which these images intend to extract the spirit.